dc.contributor |
Universidade Federal de Santa Catarina |
pt_BR |
dc.contributor.advisor |
Markendorf, Marcio |
|
dc.contributor.author |
Pelozato, Jaqueline |
|
dc.date.accessioned |
2019-09-30T12:06:09Z |
|
dc.date.available |
2019-09-30T12:06:09Z |
|
dc.date.issued |
2019-08-23 |
|
dc.identifier.uri |
https://repositorio.ufsc.br/handle/123456789/200910 |
|
dc.description |
TCC (especialização) - Universidade Federal de Santa Catarina.Centro de Comunicação e Expressão.Linguagem e Educação a Distância |
pt_BR |
dc.description.abstract |
No presente trabalho procurou-se investigar como Jorge Amado, na Obra Gabriela, Cravo e Canela, representou os personagens de ficção femininos, sob a luz da teoria feminista (feminismo negro) e da criação de uma verbo-visualidade, o Instragram comercial, que nos permite ressignificar, a partir de um conjunto de elementos, a obra. A pertinência desta pesquisa dá-se na medida em que percebemos na nossa sociedade, elementos que ainda relegam para as mulheres, principalmente às mulheres negras, lugares de inferioridade. Tornou possível entender, por intermédio da literatura de Jorge Amado, que, numa sociedade e cultura ainda patriarcal, a figura feminina precisava seguir normas impostas em casa, pela Igreja e sociedade. As mulheres construíram suas próprias identidades em meio a preconceitos, por intermédio de muitas lutas, rompendo assim, alguns paradigmas ditados por uma sociedade extremamente excludente. A personagem Gabriela se torna uma figura simbólica que representa a luta de um povo contra uma sociedade preconceituosa. |
pt_BR |
dc.description.abstract |
In the present work we tried to investigate how Jorge Amado, in the Work Gabriela, Cravo e
Canela, represented the female fiction characters, in the light of feminist theory (black
feminism) and the creation of a verb-visuality, the commercial Instragram, which allows us to
resignify, from a set of elements, the work. The relevance of this research is given that we still
perceive in our society, elements that still relegate to women, especially black women, places
of inferiority. It made it possible to understand, through Jorge Amado literature, that in a still
patriarchal society and culture, the female figure needed to follow norms imposed at home, by
the Church and society. Women have built their own identities in the midst of prejudice, through
many struggles, thus breaking some paradigms dictated by an extremely exclusionary society.
The character Gabriela becomes a symbolic figure representing the struggle of a people against
a prejudiced society. |
pt_BR |
dc.format.extent |
In the present work we tried to investigate how Jorge Amado, in the Work Gabriela, Cravo e Canela, represented the female fiction characters, in the light of feminist theory (black feminism) and the creation of a verb-visuality, the commercial Instragram, which allows us to resignify, from a set of elements, the work. The relevance of this research is given that we still perceive in our society, elements that still relegate to women, especially black women, places of inferiority. It made it possible to understand, through Jorge Amado literature, that in a still patriarchal society and culture, the female figure needed to follow norms imposed at home, by the Church and society. Women have built their own identities in the midst of prejudice, through many struggles, thus breaking some paradigms dictated by an extremely exclusionary society. The character Gabriela becomes a symbolic figure representing the struggle of a people against a prejudiced society. |
pt_BR |
dc.language.iso |
pt_BR |
pt_BR |
dc.publisher |
Florianópolis,SC |
pt_BR |
dc.subject |
Interseccionalidade |
pt_BR |
dc.subject |
Verbo-visualidade |
pt_BR |
dc.subject |
Feminismo Negro |
pt_BR |
dc.title |
Revisitando"Gabriela,cravo e canela" no instagram: um olhar feminista em micropostagens |
pt_BR |
dc.type |
TCCes |
pt_BR |