The Invisible Side Green and the Centro Cultural São Paulo Building

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dc.contributor.author	Schimiti, Weber
dc.date.accessioned	2023-06-19T14:36:09Z
dc.date.available	2023-06-19T14:36:09Z
dc.date.issued	2023-06-05
dc.identifier.isbn	978-65-00-70842-4
dc.identifier.issn	2596-237X
dc.identifier.uri	https://repositorio.ufsc.br/handle/123456789/246982
dc.description.abstract	The article identifies relations between the design of the Centro Cultural São Paulo (1975-1982) by Eurico Prado Lopes and Luiz Telles, with a new sensibility that emerges from the sixties onwards, driven by criticism of the consumer society, the energy crisis of seventies and the growing ecological awareness. From the identification of these relationships, theoretical and disciplinary propositions by Vittorio Gregotti, Kenneth Frampton and Stan Allen are summoned and discussed as markers of changes in design concepts and postures that progressively incorporate environmental concerns and sustainability issues. Some projects that demonstrate the parallelism of this ecological awareness in Brazil and abroad are selected and the multiple faces of its expression in contemporary architecture are analyzed.	pt_BR
dc.language.iso	por	pt_BR
dc.publisher	Grupo de Pesquisa Virtuhab	pt_BR
dc.subject	Centro Cultural São Paulo	pt_BR
dc.subject	Eurico Prado Lopes	pt_BR
dc.subject	sustainability	pt_BR
dc.title	The Invisible Side Green and the Centro Cultural São Paulo Building	pt_BR
dc.title.alternative	A Invisível Vertente Verde e o Centro Cultural São Paulo	pt_BR
dc.type	Article	pt_BR

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ENSUS 2023 - XI Encontro de Sustentabilidade em Projeto [169]
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